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“It’s taken us 10 years to mature and to have the ability to inform the story in the best way it must be advised.”

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The story of Jail Dancer: The Musical has extra strikes than Michael Jackson.
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Which is becoming, as a result of the brand new musical opening Could 6 at The Citadel has its roots within the King of Pop’s smash hit Thriller and a YouTube video that went viral — capturing the hearts and minds of individuals around the globe.
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Co-created by Filipino-Canadian artists Romeo Candido and Carmen Leilani De Jesus, Jail Dancer started its life within the captured picture of 1,500 inmates who carried out a Thriller-based dance routine throughout train time at Cebu Provincial Detention and Rehabilitation Facility within the Philippines. The video was created in 2007; some 15 years later, a stage narrative of affection and redemption is making its debut at The Citadel.
“We felt tasked by the universe to indicate that pleasure, resilience and neighborhood had been potential amongst the hardships that folks had been dealing with inside a very overcrowded most safety detention centre,” says De Jesus in a telephone interview squeezed between rehearsals at The Citadel.
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The musical includes a Filipino forged (together with a number of Edmonton-based skills) and is directed by Nina Lee Aquino — a Filipino Canadian and the inventive director of the Nationwide Arts Centre’s English theatre.
On the coronary heart of the Jail Dancer story is a gender-queer character named Lola (performed by Julio Fuentes, additionally the present’s choreographer). Impressed by one of many real-life jail dancers, Lola makes use of music and dance to convey objective and pleasure to fellow inmates. The theme of transformation is woven right into a rating that mixes pop, home and R and B music with high-octane choreography and a shameless love of drag.
Co-playwrights Candido (additionally the present’s composer and lyricist) and De Jesus first met 30 years in the past whereas within the authentic Canadian forged of Miss Saigon in Toronto. The 2 remained buddies, nursing a dream of making work that will totally mirror the Asian, and extra significantly the Filipino, expertise. The dancing inmates of Cebu appeared the proper automobile for that perspective.
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But it surely wasn’t a straight line from inspiration to execution. The musical has been an interactive internet sequence and a live performance; Candido wrote roughly 50 songs earlier than deciding on the 13 which have made it on stage. A full model of the present went to the New York Musical Theatre Competition in 2012. Thereafter, the manufacturing stalled as Right here Lies Love (David Byrne and Fatboy Slim’s off-Broadway telling of the Imelda Marcos story) sucked up all of the curiosity in Filipino materials.
“The present was lifeless,” says Candido, a tv author and director primarily based in Toronto. “We didn’t even keep (the web site).”
“It was hibernating,” counters De Jesus, a screenwriter and educator who now lives in California. “It was like an orchid, it went dormant for a few years.”
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However then, a minor miracle. In roughly 2018, the mission got here to the eye of Citadel inventive director Daryl Cloran, who as soon as labored with Jail Dancer producer Ana Serrano.
“It was of actual curiosity to us as a result of (the Filipino) neighborhood is such an enormous a part of Edmonton and we felt that story would resonate right here,” says Cloran, noting the Citadel has negotiated a monetary curiosity in future business productions of Jail Dancer. “And musically, it’s actually revolutionary, hip and up to date.”
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With Cloran’s assist, Jail Dancer acquired a $135,000 grant from Canada’s Nationwide Creation Fund, which is designed to assist develop theatre initiatives with business potential. The grant made it potential to host extra workshops and to go to Cebu jail to interview inmates in 2019.
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“We had been capable of floor this story in a few of the lived experiences that we had been capable of hear from, and bear witness to, in visiting the precise jail,” says De Jesus. “It went from our nascent imaginations to grounded analysis and lived expertise and that’s a part of what reworked the story.”
Whereas the pandemic supplied yet one more pause within the present’s journey, it additionally gave the fabric extra time to steep. With a price range now pushing a million {dollars}, Candido says the present has been well worth the wait.
“It’s taken us 10 years to mature and to have the ability to inform the story in the best way it must be advised,” he says.
The world itself has additionally modified within the years because the prisoners of Cebu perfected their zombie romp.
“Ten years in the past, there have been only a few Asian musicals and 10 years later, there’s a want for these sort of tales to return from racialized communities,” says Candido. “There may be an urge for food that exists now that didn’t exist earlier than.”
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The artistic duo couldn’t be prouder of the Jail Dancer story, reflecting because it does the spirit of Filipino folks — together with jail inmates — who’ve at all times turned to music as a balm for the soul.
“We’re a neighborhood of people that use tune and dance and laughter as a strategy to transcend no matter hardships we have now,” says Candido. “However we’re departing the age the place Filipinos are one of the best karaoke singers and talent-show singers. Now we’re our personal authors with the company to inform our tales. That’s the brand new age.”
The creators hope the Citadel’s rising experience as an incubator of Broadway-bound musicals — the Citadel-polished musicals Hadestown and Six are at the moment filling homes on the Nice White Method — will assist flip their mission right into a money-making present with a future. An announcement to disclose the place the present goes subsequent is scheduled for Could. 11.
“It looks like we’re assembly our future,” says Candido.
PREVIEW
Jail Dancer: The Musical
A co-production of The Citadel and Jail Dancer Inc.
Written by: Romeo Candido and Carmen De Jesus
Director: Nina Lee Aquino
The place: The Citadel’s Shoctor Theatre, 9828 101 A Ave.
When: Could 6 to Could 28
Tickets: Beginning at $33 and accessible at citadeltheatre.com or by calling the field workplace at 780-425-1820.







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